Movie Review: Alien Covenant

Here's the thing with prequels: I'm actually pretty hard pressed to think of any that I loved more than the original - in fact, it may be fair to say:

You should see any movie that later had a prequel made, as for the prequel, it's kind of up to you.

Now, as my wife quickly pointed out to me, Indiana Jones and the Temple of Doom and The Good, The Bad, and The Ugly are both technically prequels, as they occur before the earlier film that introduced the main character - so maybe take my earlier statement as a guideline rather than a hard and fast rule.

Ridley Scott's Alien: Covenant is both a sequel to the 2012 film Prometheus and a prequel to the Alien Franchise. The film follows the crew of the Covenant, a ship bringing two thousand cryosleeping colonists to a new world who, after a solar flare accident, find a signal coming from a nearby world and decide to investigate it. As with more and more genre films these days, the production company released a number of crew videos and even a short bridging film connecting Alien: Covenant directly to Prometheus ahead of the films release. At this point I haven't seen any of those, preferring to watch and review the film on its own merits.

The action is pretty great, the creatures are terrifying and the crew does a nice job of portraying space truckers. I left the film quite impressed with how it was all put together, but a week later, and I'm feeling a little confused as to my current state. On the one hand, as a fan of the original film, I'm happy to revisit a world I've enjoyed a number of times, on the other hand, much of this film felt either like a retread or giving too much backstory to a creature that should remain mysterious. I will say that I was interested enough to see if there was a novelization (there is) and to add it to my used-bookstore wish list.

After all, an examination of the Alien franchise could be an October theme month some year.

Bookmonkey vs Hack/Slash: Day Sixteen

They Knew All Along!

One of the interesting things of any continuing series is you get to ask the question of how the series effects and is affected by the larger world. In the Nightmare on Elm Street franchise, for example, there comes a point where the original victims of the killer have all run out (mild 20+ year spoiler) as the killer was targeting the children of the people who had killed him years before.

In the world of Hack/Slash, wherein a number of killers have risen from the grave and then proceed to kill all sorts of victims, the question has to be asked? Hasn’t anyone put this together other than our protagonists Cassie and Vlad?

The answer is a definite yes, both in a good and bad way.

The good way is the creation of an organization (starting out as two people) called Hack/Slash Inc., which is basically made up of people who have been saved by Cassie and Vlad over the years and are now working to network with other survivors and help Cassie find more Slashers as she travels the world.

The bad way (and a really common way in Science Fiction and Science Fiction-themed Horror, seen in films ranging from Alien (1979) to The X-Files (1993-2002) and Resident Evil (2002)) is that of government and corporate agencies looking to somehow capitalize on the phenomenon of Slashers, which they have renamed Revenants, for personal gain. “…These are organizations populated by utilitarian capitalists, power-hungry careerists or selfish research scientists” (Parker, 2000, 81)  In the world of Hack/Slash, this begins as a private company, then becomes a shadowy agency and later may even involve Cassie in a way she could never expect.

As the series moves form one-shots to a continuing storyline, the world of Hack/Slash began to grow into new and intriguing ways, and a big part of these involve making Slashers a phenomenon that exist beyond Cassie and Vlad's experience.

WORKS CITED
Parker, M. (2000). Manufacturing bodies: Flesh, organization, cyborgs. Body and organization. London: Sage Publications, 71-86.

IMAGE USED
Hack/Slash: Slice Hard. Retrieved Online at : http://static.comicvine.com/uploads/scale_small/1/10162/216736-19305-115843-2-hack--slash--slice.jpg

Genre Character of the Week: David 8

Last weekend I went to check out the new film Prometheus with my mother, brother, youngest daughter and BFF.  The movie is a prequel to the 1979 Horror/Science Fiction classic, Alien. In structure it was not unlike last years The Thing, in that it wanted to be a frightening film on its own, as well as a set up for the events of the earlier film (Sorry to get a little film-nerdy here, but there’s an interested connection between the two films – The Thing (1982) director John Carpenter and Alien screenwriter Dan O’Bannon went to film school together and both dreamed of remaking the classic Howard Hawkes 1951 film The Thing from Another Worldand although they went their separate ways before they could do it together, both Alien andThe Thing are very heavily influenced by the earlier film).  Although Prometheus was not a perfect film, it did introduce me to this week’s genre character, David 8.

Played by actor Michael Fassbender, David 8 is an android created by Weyland Industries, which (mild spoiler of Alien, Aliens, Alien3, and Alien Resurrection) means that he should be carefully watched, as androids in these films tend to range from strangely helpful to brutally homicidal.  What I liked best about the character was his very near-human status.  By this I mean that he came across as almost a perfect human being, but sat on just the other side of creepy the whole way through.  Some of this I comes from the script and direction, but honestly it was the acting that blew me away.  For a character that seems very helpful, he’s just got this strange undercurrent of “other” that gave me a serious case of the creeps.

This Is why I’m not a big fan of robots in film– from The Terminator to Data (and no, I haven’t seen every episode of Star Trek: The Next Generation, but I did see the end of one where he KILLS HIS OWN BROTHER!!! – whoops – mild spoiler again - right after the brother says “I love you”), I mean sure, there are some nice robots in film (Terminator 2, WALL-E, That busted up thing from The Black Hole), but generally if you’ve introduced robots into your SF story it’s to have them programmed to kill, or to break their kind programming and kill (I don’t know about you, but for me the military was totally in the right in trying to track down and destroy the laser-armed killbot known as Johnny 5 in Short Circuit).

Wait a second, where was I?  Right – David 8, creepy performance, and also the reason I won’t be buying a Roomba anytime soon.

Things I've Noticed: Cheesy horror is some of my favourite horror

For the last few months I've been revisiting old horror movies with my youngest daughter, a couple years ago we watched all the old Universal Horror movies from the 30s and 40s in preparation for Van Helsing, and then she decided to check out a newer horror film.

Against my wife's common sense, I picked Jaws, and after two weeks of nightmares (hers, not mine - I didn't get much sleep those weeks), my daughter decided to take a four year break from horror films.

Recently she's decided that as a junior high school student, she should take another look at the genre, so this time I've decided to focus on Horror comedies, and to let my wife veto any film she thinks our youngest might have difficulty handling.

So far we've checked out The Lost Boys, Fright Night, An American Werewolf in London, Alien, and a Kung Fu movie called Mr. Vampire - now I know that Alien is not a horror comedy in the strictest sense (or in any sense really, because if you found that film funny, I'd like you to stand waaaaaaaaay over there), but otherwise we've stayed with films that have more chuckles than scares.

And you know what - I'm really loving these movies! In most cases I haven't watched these movies since I was a kid, and I've got to say they are pretty amazing, good stories, good fun, and a wonderful amount of cheese.