Things I’ve Noticed: The 2011 Remakes are tempting me

When it comes to genre films, reboots come with the territory. In fact, one of my favourite horror films The Thing (1982) was a remake of a 1951 movie, The Thing From Another World. This year there are not one or two, but five remakes I'm looking forward to seeing in theatres.

There are four in August; Conan The Barbarian, Don't Be Afraid of the Dark, Fright Night, and Rise of the Planet of the Apes and then in October a prequel for The Thing. Personally I'm a pretty big fan of the originals of all of these (except for Conquest of the Planet of the Apes, which I've never seen but my BFF Mike has at least twice) so on paper the idea of remaking two films from the '70s and three films from the '80s seems a little stranger to me.

Personally I've always been a purist on classic versions of films (I'll go much deeper into this in my upcomming string of October posts - The Reimaging of Bookmonkery), so it would take a pretty big reason for me to even be considering checking these films out in theatres.

Here's why I'm probably going to check these movies out anyway:

Conan The Barbarian) I am really a huge fan of all things Conan (little known secret, my father's first choice for my name was Conan) so even though I was severely disappointed in the director's previous film Friday The Thirteenth (Which will become a post of its own in October), I honestly will have to check out the newest interpretation of my favourite barbarian.

Don't be Afraid of the Dark) is co-written by Guillermo Del Toro, author of The Strain series and director of any number of movies I love.

Fright Night) David Tennant is going to co-star, and darn it I loved him in Doctor Who.

Rise of the Planet of the Apes) looks really, really cool. Also after seeing pretty much every film starring James Franco from Freaks and Geeks forward, I'm interested to see how he does in a Science Fiction film.

The Thing) Honstly, when it comes to The Thing, it was already a remake, so a prequel is just continuing in the tradition of the 1982 film, and who am I to argue with tradition?